Friday, June 27, 2014

Redefining Success


“[To create] interior conditions for exterior achievements…[Do not aim] to perform a move successfully but, rather, to discover a ‘consistent feeling’…an index of interiority.”
~Duncan Wall, The Ordinary Acrobat, page 86.


In the last few weeks I’ve had the chance to introduce a few friends to slacklining and balance pipe. It was rewarding not only to share my passion, but also in watching my friends’ first steps—shaky uncertain steps—and to remember: to remember what it was like three years ago when I was just beginning, to remember how hard it was, to remember those first victories, and to remember those early lessons.

Honestly, my first experiences slacklining were highly disappointing: I’d wanted to try for longer than I could remember, I’d been in love with the idea since I was a child. I wanted to walk back and forth free from the ground. I wanted to turn and kneel, jump and dance. The reality: I could hardly stand up, let alone walk; when I put my foot on the line it shook wildly, and the more I told my foot to hold still, the more wildly the line oscillated.

Plenty of things in my life have come easy; I’ve just done them—no fuss, no muss, I just went ahead and did it. This, obviously, was not going to be one of those things: rope walking is a slowly learnt skill, often with very little visible success early on, which was—and is—a difficult thing for a perfectionist like myself to swallow. This has forced me to radically change how I define success—because if success is never wavering, flailing or falling, I’ve been a complete failure ever since that first time I tried to stand on a slackline.

Knowing the pitfalls of my perfectionist tendencies, I decided to keep it simple: I decided that mounting (stepping up) and getting my other foot on the line to take one additional step was a “success.” If I could do that much consistently, the rest would come. It was a goal that focused me on persistence aimed at consistency and proper technique, an ideal small goal that lays the foundation for the broader and bigger goals.

That minimal goal also kept me motivated—a failed attempt took less than 10 seconds (prep, breath, step up, flail, fall, return), and I could immediately recommit and try again to achieve a success. For more than two weeks I kept that goal, slacklining almost every day. I frequently fell off before I ever got my other foot onto the line, but I got better. Often enough I went more than a step; occasionally I even went the length of the line. That was bonus; one solid step was success.

Those simple goals that redefine success as something readily achievable and build up naturally to bigger successes really do work. After weeks of sticking to my one step goal, the day came when the line shook under my foot, I told it to stop…and it did. It was a magical moment. I hope to be present someday when that moment happens for a friend of mine so I can see their faces. And you friends are always welcome to invite yourselves along for a balance session—and no worries about judgments on my part if you’re awkward and fall off constantly. I’ve been there. I’ve done that—and quite thoroughly. I remember.

I’ve tried to hold on to that early lesson even as I’ve progressed. Sometimes to keep myself motivated, I have to focus simply on putting in the time, and trying to find that consistent feeling, rather than focusing on any readily visible or measurable definition of success. Suddenly all those clichés about “finding joy in the journey” make so much more sense.  I balance because I love trying as much as I love the capstone achievements. Success has been redefined as persistence, enjoying the practice, and finding that index of interiority—making my balance internal and instinctive.

Friday, June 13, 2014

Doing the Chongo!


Don't you fight it 'til you tried it, do that [chongo] beat
~Gloria Estefan, Conga


Oh wait, my bad; conga…chongo…not exactly the same thing. But I needed a song for my victory dance when I mastered the chongo.

The chongo mount, or simply “chongo,” is a specific way of mounting (getting up on) a slackline without using anything but the slackline itself. Going from sitting to standing is no easy feat in rope walking and there are quite a few ways to do it. In my opinion almost any high mount is daunting if not downright counterintuitive in the beginning; it’s just not normal trying to stand up with nothing to grab onto or step up on. I’ve worked on several mounts for wire and slackline, but, until the All Girls Slackline Festival, I’d resisted learning chongo. The instructions for a chongo in my How to Slackline! book were clear enough, the issue was my phobia of any move or trick that involved having my hands on the line. I’ve felt like my hands work against the rest of my body, jerking the line out from under me or pulling me off balance. I’m working through this issue slowly but surely.

Learning chongo wasn’t just about pushing myself outside my comfort zone, it was practical and even important. At the Festival, one of the things that definitely scared me out of attempting to walk on the highline was how, when prepping for one of my regular mounts, I felt like my legs were precariously tangled in the leash. Funny isn’t it? I was scared of the safety equipment more than the heights involved in highlining. Chongo is probably the best way to mount a highline wearing a safety leash because legs are less likely to get tangled in the leash if the mount isn’t successful.

I want to highline, so it’s time to stop fighting and try chongo. For the last two weeks when I’ve slacklined for my lunch break, I’ve set my slackline much higher than usual: chest or shoulder high at the anchors. Sitting near the anchors, I could straddle the line without my feet touching the ground to really practice mounts as if I was high up.


This week my chongo feels good and solid, and just like any new skill, mastering it makes me want to do a little victory dance. Queue the theme music! …and do that chongo mount!

Friday, June 6, 2014

The Best of Both Worlds


“Keep my feet on ground, and my head in the clouds.”
~Time of Your Song by Matisyahu


Flying trapeze is often thought of as the quintessential circus discipline. I can’t remember the time when I couldn’t hum along to, “He flies through the air with the greatest of ease …” 1

Flying, twisting, and spinning through the air is certainly a feat that captures the imagination. In spite of how cool the idea of flying trapeze is, the thought of actually doing it doesn't appeal to me—letting go of the bar, tumbling through the air toward a catcher I can’t even always see…nope, no way. Thank you very much, I’d rather dance through the air going higher and higher, as the daring young girl on a great long tightwire.

Highwire to me seems like the best of both worlds: walking in the clouds with feet firmly planted on a sturdy (if narrow) wire. It might not be the ground, but it is something—a very real something.

I’m still so far from that goal; my practice is—literally—very grounded and my dreams are anything but. No surprise: in order to achieve my highwire ambitions, I need to find a balance between, as author Mike Robbins described it, “the yin and yang energies of dreaming and doing” – between “thinking about big goals, dreams, and ideas” (head in the clouds) and “staying grounded in reality, taking practical action and keeping things real” (feet on the ground).

The last few weeks especially have been a time for me to re-evaluate how well my head and my feet are connected on this journey of mine. The prompts in Mike Robbins’ blog post Keep Your Head in the Clouds and Your Feet on the Ground were helpful for that evaluation:
  1. Notice where you are on this spectrum.
    On average I definitely tend to be a thinker, a dreamer, a fantasizer. Now I want to realize those big dreams.
  2. Allow yourself to focus on your dreams.
    That’s what this blog is all about! With dreams that sometimes seem bigger than me, it’s easy to lose sight of them. The time I spend crafting my thoughts to share with you really does help, as does having a record of those thoughts.
  3. Take intentional and effective action.
    This was the big one for me. It’s time for summer goal setting. Here’s what I’ve come up with: #1: learn to rig a basic tightwire—it’s time for more than close substitutes, #2: take a beginning ballet class for poise and performance flair, #3: get comfortable on longer slacklines to prepare for more highlining, #4: conquer full turns and spin walks by practicing daily: both have been my nemesis this last year.
  4. Get good support and feedback.
    You, readers, are awesome support! As I’ve opened up and shared my dream and obsession with friends—and even strangers—the outpouring of support and enthusiasm has done my heart good. Part two though still needs attention: I lack good sources of feedback since I train solo so much. I’m not quite sure what to do about this right now. I guess that will be summer goal #5: find an avenue for feedback.
  5. Have fun!
    Now that, I can do. Fun, happiness, and serenity are what draw me to balance.
With this balance of goals to keep me grounded and dreams to give my heart wings, I hope to make progress toward my goal of highwire—make progress toward experiencing that best of both worlds: my feet gliding firm and steady on the wire, heart reveling in the joyful abandon of walking in the sky. While it isn't always easy for me to balance those dreams with what I need to do in the here and now in order to achieve them, I have to believe it’s possible. After all, I firmly believe in my ability to navigate and master even the most daunting of balance challenges.


The song was inspired by acrobat Jules Leotard—the inventor of the flying trapeze…who also did indeed popularize the one piece, skin-tight item of clothing named after him: the “leotard.”

Monday, June 2, 2014

Beautiful Day, Beautiful Dress

I have a beautiful new summer dress—with a full skirt that is a dream to twirl in, perfect for skipping, dancing...and balancing.   An idyllic early summer Sunday afternoon with blue skies, white clouds, and green mountains was the perfect backdrop for a photo op—especially when I saw not one but two balance challenges on my drive home from church. I couldn't resist!

When I drove past a green, green field and saw the irrigation pipes suspended over the crop, I was astounded that I hadn't thought to walk this before. It was time to fix that oversight!

After over half a dozen trips back and forth from my camera (setting for time delayed photos) to the pipe, my friend Stacie happened by and helped take some of the photos.






The other photo op was a handrail outside my old highschool and the rec center where I swim.  It's a high rail with no middle bar to step up on.  I didn't think it was possible to mount—decently—in a dress...until I got this one.  There is so much fabric in the skirt that not only can I hold the sides up to my head and still have the center hanging loose and free, I can also hop up and straddle the rail and still have the skirt fall to my ankles on either side—and from there I can mount, still modest. Yep, I love this dress.

 I also love this rail.  It's high enough to keep me motivated not to fall.




Blue dress, blue sky, even a blue rail. Beautiful summer blues, beautiful summer balance.